There’s never been a better time to support young design talent. Despite the odds, creatives across the globe have been channeling their creativity into inspiring designs. With that in mind, international Vogue editors are spotlighting their favorite local designers to watch for spring 2021. If you’re looking for avant-garde suiting, check out the Spanish line Mans, a favorite of Vogue Spain fashion director Juan Cebrián. More in the mood for architectural accessories? Look at the Aurelia handbag line of wooden boxes, recommended by Vogue Mexico’s editor in chief, Karla Martinez de Salas. Invest in these brands now, and enjoy watching them develop over the years. What’s more satisfying than being early to an It brand, after all? See picks from Vogue Korea editor Kwangho Shin, Vogue Paris fashion director Aleksandra Woroniecka, and more below.
Filip Niedenthal, editor in chief, Vogue Poland
Minimal but never boring, she is one of the most consistent designers working in Poland today. All the best dressed women in Warsaw wear Ania Kuczyńska. Hers are clothes you see most often on the street.
The Polish lingerie label taking the world by storm. Founded seven years ago by Zuzanna Kuczyńska, Le Petit Trou recently collaborated with & Other Stories on a collection available everywhere now.
Juan Cebrián, fashion director, Vogue Spain
Our Who’s On Next 2020 winner. He has reinvented the classic suit; his designs could also be worn by women.
A Spanish designer with an artisan vision based on historical art and Spanish local traditions. Her commercial collection also breathes the south of Spain air.
Hereu mixes the work of local artisans, rediscovering craft traditions and using them to express a distinctive take on the Mediterranean region’s enduring heritage.
Edwina McCann, editor in chief, Vogue Australia
A favorite of the Vogue Australia team, Sydney-raised Jordan Dalah has established a distinct perspective with his monumental shapes and theatrical sensibilities, without forgoing a sensitivity and warmth. The Central Saint Martins graduate has already been turning heads internationally, impressive with only a handful of collections under his belt.
Charlotte Hicks takes a seasonless approach to design in slow-release editions, part of her multifaceted approach to sustainability, including producing locally. With fabrics sourced from Italy and Melbourne, with a focus on making in Australia, she really embodies the new thoughtfulness in design in her refined wardrobe essentials. She just won the Best Australian Emerging Designer at the 2020 Australian Fashion Laureate.
Lyn-Al has a design maturity beyond her years. Both and artist and designer, she transplants her epic, kinetic works to her silk pieces that act as a bridge between her culture and ancestors – that of the Gunnai, Waradjuri, Gunditjmara, and Yorta Yorta people and dating back tens of thousands of years—to contemporary Australia and beyond, igniting renewed appreciation of the stories belonging to our First Nations peoples.
Venya Brykalin, fashion director, Vogue Ukraine
Masterminded by our fellow colleague Julie Pelipas, Bettter is an omnichannel upcycling platform. In her practice, Julie has introduced a set of algorithms to repurpose vintage, secondhand, and deadstock suiting into smart, contemporary tailoring. At Bettter, the collections are organized in small and very precise drops that are marketed through their website only, in an attempt to minimize the carbon footprint of their activities. The project is an ambitious venture aiming to disrupt the existing supply chain and introduce new, effective protocols to recycle and upcycle the ever-growing deadstock.
Anton was shortlisted for the LVMH Prize and since then has shown his collections multiple times during Paris Fashion Week. His namesake brand is still relatively under the radar. But he has built quite a following in Kyiv (and outside of Ukraine) for his whimsical take on Perestroika dressing, mixing wide range of cultural references that delve both into the lavish worlds of rich and kitsch, as well as the isolated experiences of troubled Slavic youth.
Gunia Project is an exciting new design practice of two young female artists, who explore traditional Ukrainian crafts and techniques, and reinterpret them in a contemporary, slightly naive manner. It's a multidisciplinary project that covers pottery and cutlery, fashion design, accessories, and even scented candles.
Karla Martinez de Salas, editor in chief, Vogue Mexico
Katyna Quintana is working with artisans in Chiapas to create amazing Mexican huipiles in vibrant colors and beautiful textures.
I love these wooden box bags that have unique straps inspired by charro culture, and are all made in Mexico. Aurelia is a line of bags designed by three sisters, Aurelia, Magdalena, and Andrea, who are inspired by their great grandmother, a creative force and inspiration in their lives.
I admire how Miguel Aguel is able to apply artisanal techniques to universal fundamentals. He’s a Colombian designer who seeks to transmit his heritage while satisfying the highest standards through sophisticated and timeless pieces.
Valentina Collado, fashion director, Vogue Mexico
The new collection is inspired by the imagery and attention to detail that the Paracas culture, famous for their spectacular woven textiles, left behind.
This collection is inspired by stories and legends from Mexico. Illustrations were made by the founders and carefully hand-embroidered by women in Chiapas and Estado de Mexico.
Beautiful, classic pieces with a modern touch and made in Mexico.
Kwangho Shin, editor in chief, Vogue Korea
This collection interpreted Asian aesthetics beyond Korea to fit international trends. It is formative but wearable.
This collection realized Korean avant-garde in a youthful and soft way.
It expressed Korean style in the most progressive way: as elegant but geeky, mature but cool kid.
Sofia Lucas, editor in chief, Vogue Portugal
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